You know…

Benji the Dog

It’s the thing you miss most back home that can put a smile on your face…

Well, and other things I miss as well lar :mrgreen:

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The Story of 3 Axes

Today I experienced an episode of one of Aesop’s famed fables, entitled “The Woodsman and the Three Axes”. The story goes like this….

There was once a poor, but honest Woodsman who lived with his family in a forest. He worked hard, cutting down trees so he could sell the firewood. This is how he supported his family. All day long you could hear the sound of his faithful ax ringing through the woods.

One day he was cutting down trees near the edge of a deep pool of water in the forest. With strong, steady strokes he chopped away until it grew quite late in the day. The Woodsman was tired, for he had been working since early morning, and his strokes were not as strong and steady as they had been. He raised his tired arms high for a final blow and his ax slipped, flew out of his hands and landed with a ‘plonk’ into the pool, sinking to the bottom.

The Woodsman cried out, “No! All is lost!” As he stood, wringing his hands, pulling his hair and weeping, the god Mercury suddenly appeared.

“What is wrong Woodsman?” asked the god.

The Woodsman wept, “My ax fell into the water! It is too deep and I cannot get it back! My ax is all I have to make a living with, and I don’t have enough money to buy a new one. My family will starve.”

Hearing this Mercury dove with a splash down to the bottom of the pool. When he surfaced he held in his hand an ax that glinted in the setting sun, for this ax was made of pure gold! Mercury held up the golden ax and asked, “Is this your ax, Woodsman?”

The Woodman’s mouth fell open and his eyes grew large with desire as he looked at the golden ax, but he shook his head. “No. That is not my ax.”

Mercury dove again with a splash down to the bottom of the pool. This time when he surfaced he held in his hand an ax that sparkled like the silvery drops of water falling from it, for it was made of pure silver!
“Is this your ax, Woodsman?” asked Mercury.

The honest Woodsman gazed with amazement at the beautiful silver ax, but again shook his head and said, “No. That is not my ax. My ax is just an ordinary old ax with a plain wooden handle.”
Mercury dove down for the third time with a splash, and when he surfaced he held in his hand the Woodman’s battered old ax.

“Is this your ax, Woodsman?” he asked.

The Woodsman was so glad his ax had been found! He cried out, “That’s my ax!” He eagerly took the ax and thanked the kind god again and again.

Mercury looked at the Woodman and smiled. “I admire your honesty, Woodsman. And it shall be rewarded. You may keep all three axes, the gold and the silver as well as your own.” And then Mercury disappeared as suddenly as he had come.

The Woodsman gathered the three axes in his arms and hurried home where he was met by his wife. She was so happy when she saw the gold and silver axes, she cried out, “Husband! We’ll never be hungry again!”

The very next day she took the silver ax and went to the village to buy food for her family. Soon the story of their good fortune was known to everyone in the village.

Other wives came to that good woman and asked, “Your husband was given a silver ax?”
The honest Woodman’s wife nodded happily. “Oh, yes! And a golden ax as well!”
“A gold one as well. Well, well, well,” said the other wives with greed and jealously in their voices. “Isn’t that nice!” The greedy wives went home to their husbands and shook their fists as they yelled, “We want silver! We want gold! Go into the woods and lose your axes and call upon the god Mercury for help. We want to be rich!”

The men from the village hurried into the woods and hid their axes in the bushes, pretending they had lost them. Then they began weeping and wailing, “Oh, Mercury! Help us! We have lost our axes.Help us!”

Suddenly Mercury appeared, holding a silver ax. He asked the men, “Is this your ax?”

One of the men eagerly nodded his head, “Yes, yes! That’s my ax!” Another said, “Why, that looks just like the ax I lost!” A third man, greedier than the rest said, “Actually, my ax was made of gold.”

Mercury did not give any of the men the silver or the golden ax. Instead he gave them each a hardy whack over the head and sent them home. And when those men returned to the woods the next day to look for their own axes…they were nowhere to be found!

The story is an adapted one, not the original which is more of a change of characters than the story, except towards the end bit… A hardy whack on their heads? The author should be whacked for distorting it this way!

Anyway, today I went to do my weekly grocery shopping in Sainsburys. Amongst the things I bought include a Can Opener. See, when everything was done I set off home, cooked and had dinner, before realising I don’t have the Can Opener with me. And it was expensive too. I felt like major monkey balls then! In anger I strode back to Sainsburys to the same counter I used, and immediately saw my Can Opener on the opposite desk. He then asked me if the bag of items beside it was mine too. In my head, I was really tempted to say yes, as he didn’t even bother to ask for my receipt. In fact, in that 20 seconds I probably thought so hard it could have easily been an hour!

The bag contained a loaf of bread, assorted snacks and some more stuff hidden underneath. I spent 23 pounds and I felt that I deserved more than I bought. Was it a blessing? Was it meant for me? I had bought a few items before that I couldn’t use, so is this God’s way of telling me “Here, these are your replenishments”? Who’s to say the real owner will come back to collect them, thinking s/he could have left them somewhere else? Those and much more went through my brain (which, incidently, could be used more for studying for my upcoming exams =.=) while in reality I pretended to check my receipt. The counter guy just waited patiently. He wouldn’t say anything even, I suspect, had I told him that it was mine.

Funny. Funny how I know myself well enough. Funny how I usually whack freebies as though I knew I had it coming all along. Funny, how I told him that it didn’t belong to me.

I left Sainsburys feeling ackward. Neither happy nor sad. Neither nice nor satisfied. Should I be happy? True, maybe the counter guy would see my honesty, and rejoice in thinking that there is hope for young foreign people like us to be good citizens. Is God is watching? Does this earn myself a pathway to Heaven? Obviously not, but it would be nice wouldn’t it… In fact, maybe no one cares. I guess it is most important that I CARE! Individuals, we are, community, we be. In the end, I sauntered home and played a few tunes on the guitar.

Okay, fine, maybe I wasn’t presented a Silver Can Opener, or a Gold Can Opener, or maybe I wasn’t even offered a huge Goody Bag from Sainsburys for my hard-fought honesty! Still, I guess I was presented with self-honour. That would be my prize, I guess. I shall take it home and stick it onto my heart like a banner =) And here ends my adaptation of Aesop’s Fables. ( Still doesn’t help with my turbulent week though 🙁 )

ps- Maybe I should rewrite an adaptation of all of Aesop’s Fables and call it, the Tock Cock’s Crap! I’ve even bought the domain already –> http:www.tockcrap.com <-- :mrgreen:

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Glazed EyeS: The Lumix Engine

You know, the music from Ball Toucher is getting more & more irritating everytime I visit this place. How do I turn the music off by default?! GRrrrr… >_< (and no, Ball Toucher does NOT mean you touch them in pairs!!! Tsk tsk Mr. L.vo.. Notty notty!) On a second note: Guys & Gals, I need to know what companies I can still apply for internship this Summer! I wonder if there’s any left who would take in an Imperial College student like me :mrgreen:

And now: presenting my latest toy-of-affection which I am anticipating with glee…

Panasonic Lumix DMC-LX1

Review based at www.dpreview.com by Simon Joinson

Announced alongside the FZ30 in July, the Lumix LX1 is the world’s first compact camera with a ‘widescreen’ 16:9 ratio CCD sensor, combined with a 28-112mm (equiv.) wideangle 4x Leica-branded zoom lens.
As with all Panasonic cameras, the LX1 features a two-mode MEGA OIS (Optical Image Stabilization) system, plus a wealth of real ‘photographic’ features, including fully manual exposure and focus options. Obviously designed to appeal to serious photographers, the LX1 also features more external controls than any previous Lumix compact, has both raw and TIFF capture modes and a high quality all-metal, traditionally-styled body. Here’s just a few of the headline features to whet your appetite:

  • 8.4 Megapixel 16:9 aspect CCD
  • 28mm wide 4x optical LEICA DC lens
  • MEGA O.I.S.(Optical Image Stabilizer)
  • Venus Engine II
  • Joystick-operated manual control
  • Large 2.5” LCD monitor (207k pixels)
  • Industry’s first 16:9 aspect Wide VGA moving image recording
  • Raw, TIFF and JPEG recording modes
  • Manual exposure and focus options
  • 1/2000th to 60 sec shutter speeds
  • Available in black or silver

16:9 CCD: What It Means

The image on the left shows the result of shooting the same scene at the same zoom setting using the LX1’s three aspect ratio options. Unlike most ‘widescreen’ modes the LX1’s unique sensor means you actually get a wider field of view at 16:9, with 4:3 and 3:2 being cropped at the sides.

Virtually all compact cameras use sensors with a 4:3 aspect ratio (giving a picture shape similar to a standard television). The LX1 has a sensor that is roughly the same height as a standard 6 megapixel CCD, but is considerably wider, giving the option of 16:9 shooting (16:9 is the shape of a widescreen television), and increasing the total number of pixels to just over 8 million. This is the first time a consumer stills camera has been equipped with such a wide sensor (although 16:9 modes are not unusual on stills cameras, they are achieved by cropping some of the top and bottom off the picture).

Because we don’t always want a ‘panoramic’ shot the LX1 has an ASPECT switch on the top of the lens barrel that lets you swap between three different picture shapes; 16:9 (widescreen), 3:2 (same as most print papers) and 4:3 (same as most compact cameras and computer screens).

16:9 uses the entire CCD, whereas the 3:2 mode lops half a million pixels off each side and 4:3 crops out a million pixels from each side. As well as reducing the number of pixels in the final image, changing the aspect ratio also increases the equivalent focal length, so the 28-112mm lens in 16:9 mode becomes a 34-136mm lens when you switch to 4:3 mode.

Panasonic DMC-LX1 Key specifications

Street price • US: $570
• UK: £400
Body Material Metal
Sensor • 1/1.65" CCD, 8.61 million total pixels (16:9 aspect ratio)
• 8.4 million effective pixels
Image sizes

• 3840 x 2160 (16:9)
• 3072 x 1728 (16:9)
• 1920 x 1080 (16:9)
• 3248 x 2160 (3:2)
• 2560 x 1712 (3:2)
• 2048 x 1360 (3:2)
• 2880 x 2160 (4:3)
• 2304 x 1728 (4:3)
• 2048 x 1536 (4:3)
• 1600 x 1200 (4:3)
• 1280 x 960 (4:3)
• Image Quality: RAW/TIFF/Fine/Standard

Movie clips • 640 x 480 (10 / 30 fps)
• 320 x 240 (10 / 30 fps)
• 848 x 480 (10 / 30 fps) (16:9)
• Quicktime (.mov) M-JPEG with audio
• Limited only by storage
Lens

• 28 – 112 mm equiv. (4x zoom)
• F2.8 – F4.9
• MEGA OIS (Mode 1 / Mode 2)
• Leica DC Vario-Elmarit
• 9 Elements in 8 Groups (3 Aspherical Lenses/3 Aspherical Surfaces)

Focus

• Normal: 0.5 m – Infinity (wide), 1.2 m – Infinity (tele)
• Macro: 5 cm (wide), 30cm (tele)
• 1 point
• 1 point high speed
• 3 points high speed
• 9 points
• Spot
• Continuous AF On/Off
• Manual Focus

Shooting mode

• Auto
• Program Mode (with Program Shift)
• Aperture Priority Mode
• Shutter Priority Mode
• Manual Mode
• Portrait
• Sports
• Food
• Scenery
• Night Scenery
• Self-portrait
• Night Portrait
• Fireworks
• Party
• Snow
• Baby
• Soft Skin
• Starry Sky
• Candle
• Moving Image
• Exposure bracketing 0.3 to 1 EV steps
• AE Compensation +/- 2.0 EV in 0.3 EV steps

Shutter Speeds 1/4 – 1/2000 sec.: Auto
1 – 1/2000 sec.: Program AE
8 – 1/2000 sec.: Aperture Priority AE, Shutter Priority AE
60 – 1/2000 sec.: Manual
Apertures Wide: F2.8 – F8
Tele: F4.9 – F8
Sensitivity • Auto
• ISO 80,100,200,400
Metering • Intelligent Multiple
• Center-weighted
• Spot
White Balance • Auto
• Cloudy, daylight, halogen, manual x 2 (custom)
• White balance fine tune
Image parameters • Color (Cool, Warm, Black & White, Sepia)
• Picture Adjustment ( Contrast, Sharpness, Saturation, Noise Reduction)
Continuous

• 3 fps high speed, 2 fps low speed
• 9 frames (standard), 5 frames (fine)

Flash • Built-in pop-up flash
• Auto, on/off, red-eye reduction: on/off, slow sync with red eye reduction
• Range (ISO auto): W 0.6m – 4.1m, T: 0.3m – 2.3m
• Flash Output Adjustment (1/3EV step, -2 +2EV)
Storage SD/MMC
32 MB supplied*
Viewfinder None
LCD monitor • 2.5" TFT LCD
• 207,000 pixels
Connectivity • USB 2.0
• A/V out
• DC-IN
Power • Lithium-Ion rechargeable battery
• Charger included

In the box*

• DMC-LX1 camera
Battery Charger
Battery Pack
Battery carrying case
Lens cap
SD Memory Card (32 MB)
AC Cable
AV Cable
USB Connection Cable
Strap
CD-ROM ( Lumix® Simple Viewer, Photo Fun Studio, ArcSoft PhotoBase, ArcSoft PhotoImpression,ArcSoft Panorama Maker, USB Driver)

Other features

PictBridge
Mega Optical Image Stabilization
AF illuminator
Record and playback histogram
Audio dubbing
Venus II engine

Weight (inc batt) 220 g (7.8 oz)
Dimensions 106 x 56 x 26 mm (4.2 x 2.2 x 1.0 in)

* Supplied accessories may differ in each country or area


If you’re new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).

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The Bestest Game of Skill!


Remember to post your score yeah! – Source from Ebaumsworld.com

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